sábado, 29 de marzo de 2014

FREEVST SlickEQ (Tokyo Dawn Labs & Variety Of Sound)

TDR SlickEQ main flat

TDR VOS SlickEQ is a mixing/mastering equalizer designed for ease of use, musical flexibility and impeccable sound.
Three (and a half) filter-bands arranged in a classic Low/Mid/High semi parametric layout offer fast and intuitive access to four distinct EQ modes, each representing a set of distinct EQ curves and behaviors. An elaborate auto gain option automatically compensates for changes of perceived loudness during EQ operation. Optionally, SlickEQ allows to exclusively process either the stereo sum or stereo difference (i.e. “stereo width”) without additional sum/difference encoding.
In order to warm up the material with additional harmonic content, SlickEQ offers a switchable EQ non-linearity and an output stage with 3 different saturation models. These options are meant to offer subtle and interesting textures, rather than obvious distortion. The effect is made to add the typical “mojo” often associated with classy audio gear.
An advanced 64bit multirate processing scheme practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.

Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more.
SlickEQ is a collaborative project by Variety Of Sound (Herbert Goldberg) and Tokyo Dawn Labs (Vladislav Goncharov and Fabien Schivre).
Key specs and features
  • Intuitive, yet flexible semi parametric EQ layout
  • Full featured, modern user interface with outstanding usability and ergonomics
  • Carefully designed 64bit “delta” multi-rate structure
  • Three EQ bands with additional 18dB/Oct high-pass filter
  • Four distinct EQ models: “American”, “British”, “German” and “Soviet” with optional non-linearity
  • Four output stages: “Linear”, “Silky”, “Mellow” and “Deep”
  • Advanced saturation algorithms by VoS (“stateful saturation”)
  • Highly effective and musically pleasing loudness compensated auto gain control
  • Oversampled signal path including stateful saturation algorithms
  • Stereo and sum/difference processing options
  • Tool-bar with undo/redo, A/B, advanced preset management and more
TDR VOS SlickEQ is a freeware audio plug-in available for Windows and Mac in VST and Audio Units format (both 64-bit and 32-bit). VST3 and AAX formats will follow later.

**All downloads are available via the Tokyo Dawn Labs website.

jueves, 14 de noviembre de 2013

FREEVST TubeDriver v1.22 for Windows (VST) and Mac OS X (VST&AU)

TubeDriver - tube amplifier emulation plug-in for Windows (VST 32 and 64bit) and Mac OS X (VST and AU 32 and 64bit).

It's free but donations are welcomed.

Pre EQ - High Pass, Peak, Shelf and resonant Low Pass filters.
BIAS - Adjusts tube stage’s grid bias which control the symmetry of the tube amp       saturation.
DRIVE -Amount of gain applied by the tube amp.
VOLUME - Output level..
BOOST - +12 db additional gain applied by the tube amp.
BYPASS - Switch TubeDriver in bypass mode.
MONO - Switch TubeDriver in mono mode - process Left Input, output Left and Right.
PHASE - Invert phase of output signal.
HP Freq – Post High Pass Filter frequency.
LP Freq– Post Low Pass Filter frequency.
Oversample - Oversampling Rate in realtime.
16x On Render – Oversampling Rate in Render (Mixdown) mode of host:
OFF - Oversampling Rate in Render (Mixdown) mode of host same as in realtime;
ON - Oversampling Rate have a maximum (16x) value in Render (Mixdown) mode of host.       

FREEVST Charbooster by soft-amp.com

Latest Version:
Last Update:
28 Jan 2013

CharBooster is a composite overdrive effect tailored specifically to be used as booster in front of any virtual amplifier model. It essentially consists of a pre-emphasis filter section designed to provide a variation of voicings for your instrument followed by a saturation circuit that excites the signal with harmonics while still being as transparent as possible. The UI is not trying to look like a hardware stomp box but rather has a range of meters and scopes to provide an insight on what is going on with your signal.

The effect's controls are broken down into 3 sections:

1. Character

    Amount – sets the amount of the filtering applied.
    Character – selects one of the pre-configured filters:

        - Shrill – boosts the top frequencies enhancing the presence of the signal
        - Bright – boosts the high frequencies adding clarity and brightness
        - Tight – rolls-off the low end to reduce the muddiness of the high-gain amps
        - Flat – bypass of the filtering stage
        - Fat – boosts the middle frequencies for the best high-gain tone
        - Warm – rolls-off the high frequencies (good for taming single-coil pickups)

2. Saturation

    Harmonics – sets the amount of the harmonics introduced by this stage.
    Mode – selects the configuration of the stages:

        - Off – bypass the saturation stage
        - Tube – pre-amp stage based on a single 12AX7 triode
        - Tape – simple magnetic tape model
        - T-n-T – tube preamp followed by the tape model

3. Boost

    Level – sets the output gain of the booster from -6dB to +24dB.

On the top of the effect's window there are 5 more buttons (from left to right):

    Enable the effect.
    Stereo mode.
    16x oversampling.
    Check for updates.

The tube model used in the saturation stage is similar to the one used in Softamp 3OD, however the modeled circuit is different.

The tape model is a very simplified one. It has only the nonlinear transfer curve and dynamic frequency response modeled. Wow & flutter effects as well as phase smearing were omitted keep the CPU consumption low. It is loosely based on the Ampex ATR-102 tape recorder.


Unzip the archive and put the "AXP CharBooster.dll" or "AXP CharBooster x64.dll" to your VST folder. Make sure to select the one appropriate for your system (Win32 or x64).


    The effect is able to produce high level output signal (up to +24dB). Make sure that there will be something in your processing chain that limits the output signal. The assumed use case is that CharBooster is followed by the amplifier model that is pushed into saturation.

    Not all amplifiers will sound pleasing while being overdriven at the input. Experiment.

    CharBooster expects to be driven by a full-swing 0dB input signal. If pushed further the sound quality will degrade.

    The CPU consumption in the most complex mode (T-n-T saturation, Stereo mode with 16x oversampling) could be a bit high. There's a plan to optimize it later, but it's a low priority task unless I'm specifically asked to do it.

    This plug-in requires the Windows Imaging Component library. It's included in all Windows versions starting with Windows XP SP3. If you are using Windows XP SP2, you can get it as a stand-alone library here: http://www.microsoft.com/en-us/download/details.aspx?id=32.

Rob Papen FREEhost RP-Dock

RP-Dock is a standalone host application for all our current Rob Papen products.
From BLUE to Blade, and all our FX plug-ins can also be loaded!

There are handy features like tempo setting and an audio recording/playback facility.
The audio setting for sample rate can be selected from 44.1Khz up to 96Khz(depending on your soundcard/device).
Midi input offers merging of all connected Midi controllers and also included is an optional midi channel selector.

RP-Dock will host all current RP products and is completely free!
A great tool if you are playing live or in the studio or... simply cool if you just like to play around with the synthesizers or effects.

Currently only the Mac version is available, the PC version is to be released shortly after.

FREEVSTi Swamp XT - Timbre Modulation Synt

Swamp XT - Timbre Modulation Synthesizer can create unique sounds from clear & harsh metallic sequenced sounds to soft & wide modulated Pads. This is achieved by modulating the timbre on the oscillator level.

Swamp XT features 'Timbre-modulation': It processes each oscillator's waveform in a very unique way by changing (i.e. enriching or limiting) the harmonic spectrum making the sound fatter, wider or narrower, right down to nearly dissolving it to some kind of distorted noise, depending on the input wave.

While the original Swamp had an oscillator routing to balance its output between normal (i.e. direct signal) and timbre modulated signal, which could each be balanced to go to direct out or to filter, this has been simplified in Swamp XT: direct und timbre modulated signal can be balance mixed to one signal and the output of both oscillators can be balance mixed too. While the direct and filtered signal can be balanced at the amplifier stage of Swamp XT.

Swamp XT delivers a wide variety of sounds - including some really strange and weird.

Two digital oscillators running at a time to be selected from:
Two PCM wave oscillators powered by 128 different waveforms or,.
Two additive wavetable generators to create various waves from up to 31 partials.
One resonant filter (24db Lowpass).
Four ADSR-style envelope generators.
X-Torsion, one Spook effect, one Gator (Gater) effect.
Four LFO (BPM-synced).
One dedicated Pitch LFO (BPM-synced).
One Sample & Hold (BPM-synced).
One BPM-synced Delay.
XY Super-modulation Pad.

fuente http://www.freeloopsdownload.com

*(via freeloopsdownload.com)


Glassific Lite KONTAKT
Well, we tried our best, but still, we want to make a better version of this in the future, adding more glasses, hopefully with a better GUI.
This is a library of glass sounds, with 5 different glasses. Some of them, when holding key for a longer time has a vibration, you’ll notice it.
These are the sounds the glasses produce when you hit them with a metal and a wooden spoon.

You are free to use our releases for any MULTIMEDIA PURPOSE (Music, Video etc), nothing else (e.g. Selling it)

You can post our stuff anyhwere, and add your own mirrors, but we kindly ask you, not to remove our uploaded.net link to help us keeping this project alive, and don’t steal credit. Thank you!

The nki files were made with Kontakt 5.1, so you need the last version for it to work

All the samples were recorded in 96Khz/24Bit



Irassema (Madrid)   ESPAÑA ------------> -Giroscopio-
Xpktro                    ---------------------> -Soledad-
Juan Morals (Sevilla) ESPAÑA ----------> -Decir adios-
Satu (Madrid) ESPAÑA  -----> -Me estoy acostumbrando a tí-                   
Bowie Musicomio  (Valencia) ESPAÑA --> -Mar-
Espere Verde (Madrid) ESPAÑA -> -Que mas te da que no sepa bailar-
Merbau   (Cuernavaca) MEXICO --------> -Volverás-
Fornicious (Almería) ESPAÑA ------------>  -Chica de Oro-
Mil Siluetas (Vigo) ESPAÑA  -------------> -Cada vez-
Amoenus (Bs As) ARGENTINA ---------> -Presagios-
Newbery (ARGENTINA)-------------------> -Constelación-
RoxSinMas (Bilbao)ESPAÑA  -------------> -Roxandroll-
Clark  (ARGENTINA) ---------------------> - Nuevos Aires Buenos Aires-
Cronopios (Pto Ordaz) VENEZUELA ----> -Alma vacía-
Lisa Monroe (Los Angeles) USA --------> -Happy Now-
OIME (Buenos Aires) ARGENTINA ------> -Salvavidas-
Rox&Bow (Bilbao-Valencia) ESPAÑA ----> -En la profundidad del océano-
53Y35 (Barcelona) ESPAÑA ------------> -Morning Routine-

LIBRERIAS FREE / FREE samples Embertone Intimate Strings Lite


We may be teasing you a little bit with this sneak peak, but hey! It's a free instrument, and in our humble opinions, it's useful as hell. For standalone melodies or to supplement other string sounds, what you get is the sound of a string quartet… FREE!

Sound of a string quartet playing in unison
    Custom Kontakt scripting
    3 NKI files
    718 wave files
    422 MB installed, 270 MB .rar download
    Download from our web-server, nothing fancy (we're broke too, man!)
    Sample resolution: 48 Khz / 16-bit stereo
    Kontakt 4.2 (Full Retail) is 32/64-bit, MAC/PC compatible
    Note: Native Instruments Kontakt version 4.2 or later full retail versions required..
    Note: Free Kontakt Player will only work for 30 minutes with this product. Full version required to remove this restriction.
    Runs as a stand-alone application, VST® or Audio Units plug-in, RTAS® under Pro Tools 7/8 . Minimum: Mac OS X® 10.4 / 10.5, G5 1.8 GHz or Intel Core Duo 1.66 GHz, 1 GB RAM or Windows® XP (32 Bit) or Windows Vista® (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 1 GB RAM. 2 GB of RAM or more is highly recommended!

FREEVST Mildon freebies

Mildon Studios has re-released two of their Windows VST plugins, HUE-X and M4GIQ, as freeware.

HUE-X is perfect EQ for those who trust their ears or just love to experiment with sound. It is designed to let you bring out what you want in the sound instantly and with much ease. Now you can control different characteristics of the sound without having to deal with the obscurity of traditional EQ’s.

M4GIQ is a 4-band multi-fx plugin that lets you apply Gain, Panning, and Delay to each frequency band. This is extremely useful for spreading frequencies across the stereo image, making it easier for the sound to cut through.

Fuente freeplugz.com